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    <front>
        <journal-meta>
            <journal-id journal-id-type="issn">1744-6716</journal-id>
            <journal-title-group>
                <journal-title>Westminster Papers in Communication and Culture</journal-title>
            </journal-title-group>
            <issn pub-type="epub">1744-6716</issn>
            <publisher>
                <publisher-name>University of Westminster Press</publisher-name>
            </publisher>
        </journal-meta>
        <article-meta>
            <article-id pub-id-type="doi">10.16997/wpcc.207</article-id>
            <article-categories>
                <subj-group>
                    <subject>Editorial</subject>
                </subj-group>
            </article-categories>
            <title-group>
                <article-title>The Internet and the Material Turn</article-title>
            </title-group>
            <contrib-group>
                <contrib contrib-type="author">
                    <name>
                        <surname>Hondros</surname>
                        <given-names>John</given-names>
                    </name>
                    <email>jdhondros@gmail.com</email>
                    <xref ref-type="aff" rid="aff-1"/>
                </contrib>
            </contrib-group>
            <aff id="aff-1">Teaching Fellow, Media and Communications, University of Sussex,
                GB</aff>
            <pub-date publication-format="electronic" date-type="pub" iso-8601-date="2015-09-15">
                <day>15</day>
                <month>09</month>
                <year>2015</year>
            </pub-date>
            <volume>10</volume>
            <issue>1</issue>
            <fpage>1</fpage>
            <lpage>3</lpage>
            <permissions>
                <copyright-statement>Copyright: &#x00A9; 2015 The Author(s)</copyright-statement>
                <copyright-year>2015</copyright-year>
                <license license-type="open-access"
                    xlink:href="http://creativecommons.org/licenses/by/3.0/">
                    <license-p>This is an open-access article distributed under the terms of the
                        Creative Commons Attribution 3.0 Unported License (CC-BY 3.0), which permits
                        unrestricted use, distribution, and reproduction in any medium, provided the
                        original author and source are credited. See <uri
                            xlink:href="http://creativecommons.org/licenses/by/3.0/"
                            >http://creativecommons.org/licenses/by/3.0/</uri>.</license-p>
                </license>
            </permissions>
            <self-uri xlink:href="http://wpcc.ubiquitypress.com/article/view/wpcc.207/"/>
        </article-meta>
    </front>
    <body>
        <p>The notion that the internet is an immaterial &#8216;cyberspace&#8217;, a virtual world,
            separate from the material world, was pervasive in the early social science scholarship
            on this technology (<xref ref-type="bibr" rid="B2">Miller and Slater, 2000:
                4&#8211;5</xref>, see also Casemajor and Taffel in this issue), and such dualistic
            thinking still persists today. This special issue invites the reader to think
            differently about the internet: it draws its inspiration from the material turn, which
            repudiates such dualisms in favour of a monism that does not separate nature and
            culture, matter and ideas (see for example <xref ref-type="bibr" rid="B3">Van der Tuin
                and Dolphijn, 2010</xref>).</p>
        <p>This issue&#8217;s genesis however did not start with such metaphysical considerations,
            but rather from a personal encounter in the field. I was conducting an ethnographic
            investigation into online video makers, beginning in 2010, where I was trying to
            understand how and why they adopted specific internet technologies to distribute their
                videos.<xref ref-type="fn" rid="n1">1</xref> My initial entry into the ethnographic
            field was framed by the literature on online video available at the time, which focused
            largely on the social ties that emerged between video makers and their audiences. While
            many of the video makers I researched were indeed engaged in such social interactions
            online, my interviews and observations also revealed that most of them were having a
            great deal of difficulty getting the different technologies to work the way they wanted
            them to. I initially dismissed these difficulties as background &#8216;noise&#8217;,
            however as time went on I began to realise that frustration with a failed software
            upgrade, concerns about disruptions caused by a denial of service attack, complaints
            about takedown notices generated by bots on YouTube, and criticisms of Facebook&#8217;s
            algorithm for filtering posts were important clues to understanding the nature of the
            processes my informants were engaging in as they distributed their videos online. In my
            search for theoretical tools with which to re-enter the ethnographic field and make
            sense of this problematic entanglement of humans and machines, I came across the
            literature on new materialism. While I finally settled upon an assemblage theory
            approach, which drew upon both Actor-Network Theory and Manuel DeLanda&#8217;s reading
            of Deleuze and Guattari, I wondered about the theoretical roads not taken: what insights
            might other new materialist theories bring to our understanding of internet
            technologies? This special issue provides some preliminary answers to that question.</p>
        <p>In her contribution, Nathalie Casemajor points out that &#8216;the great variety of
            traditions, intellectual trajectories and emerging trends that could qualify as
            &#8216;materialist&#8217; prevents picturing what is now labelled a &#8216;material
            turn&#8217; in digital media studies as a homogeneous movement&#8217;. To help us make
            sense of this complex landscape, she provides an overview of six different theoretical
            frameworks for thinking about digital materiality: Friedrich Kittler&#8217;s interest in
            the material structures of technology, analysed as both hardware and as logical
            structures; software and platform studies which focuses on the programmable nature of
            digital objects; the field of electronic textuality with its foundations in the work on
            the material basis of literary production, focussing on N. Katherine Hayles; Matt
            Kirschenbaum&#8217;s analysis of electronic texts using techniques from computer
            forensics; media ecology, which examines the links between nature and digital
            technologies; and Marxist approaches analysing materiality, politics and ecology using
            the concepts of ownership, labour and class. In addressing these frameworks as a whole,
            she finds that while they all share the assumption that digital media have a material
            substrate, they differ on how they interpret the implications of this fact, particularly
            with regard to politics.</p>
        <p>Sy Taffel&#8217;s paper picks up on the political aspects of digital materiality by
            exploring how the sourcing of materials required in the manufacture of the
            &#8216;networked microelectronic architectures&#8217; of the internet has ethical
            implications. His case study focuses on the sourcing of tin, tantalum, titanium and gold
            from the Democratic Republic of Congo, and how the demand for these materials by
            equipment manufacturers became entangled in the country&#8217;s recent military
            conflict. He also uses this case study to critically evaluate two ontological approaches
            to materiality, one that treats the world in terms of processes, following Deleuze and
            Guattari, and the other in terms of objects, as expressed in Object Orientated Ontology,
            championed by Graham Harman amongst others. He argues that these two approaches in fact
            diverge when considered in the light of his case study, and that a process-based
            approach provides a better account of the political and ethical aspects of
            materiality.</p>
        <p>Staying with process-based approaches to materiality, Neal Thomas&#8217;s contribution
            employs the work of Gilbert Simondon, a philosopher influential upon Deleuze, to think
            about social media. Drawing upon Simondon&#8217;s concept of disparation, a process
            which integrates incompatible potentials in being, he invites us to think about social
            media in ontological rather than epistemological terms: he argues that social media is
            generally framed in epistemic terms, involving knowledge-seeking already-formed subjects
            communicating with each other on networks. However, he proposes an alternative
            conception, where the ontogenetic differences individuals carry within themselves are
            resolved through the engagement with social media leading to the subject becoming one
            way rather than another through their use of this technology.</p>
        <p>Bolette Blaagaard&#8217;s paper also explores the nature of subjectivity on the internet,
            this time in the context of journalism. She examines the emergence of online videos
            created by citizen journalists using mobile phones, and those produced by camera drones,
            and how these &#8216;technological others&#8217; extend our knowledge of the world. She
            then breaks down the dualism between humans and technologies by drawing upon posthuman
            theorists such as N. Katherine Hayles and Rosi Braidotti, presenting human subjectivity
            not as a fixed viewpoint, but rather a &#8216;multifaceted process of becoming&#8217;
            that is entangled with technologies like these. She argues that thinking about
            subjectivity in this way provides a framework to broaden the discussion of citizen
            media&#8217;s impact on traditional journalism beyond notions of semiotics, language and
            formats, to include questions of the materiality, affect, authenticity and presence.</p>
        <p>James Miller also invites us to think about the consequences of human-technology
            entanglement: he argues that developments in digital technology interfaces mean that
            humans form &#8216;assemblages&#8217; of embodied and extended cognition with these
            technologies which &#8216;allow people to experience greater emotional and imaginative
            relations with media&#8217;. His argument is based on the dematerialization of
            electronic media interfaces, where knobs, dials, mice and keyboards, as well as special
            physical placement of the media device (e.g. the television as a piece of furniture in
            the lounge room), are replaced by more intuitive, intelligent interfaces integrated into
            non-media objects and the materiality of the environment where media are used. While he
            states this dematerialization of the interface is still in progress, he uses the history
            of media in the automobile, from the car radio to Apple&#8217;s CarPlay and &#8216;black
            box&#8217; recorders, to illustrate the possible trajectory of digital media, and the
            potential consequences of this.</p>
        <p>Finally, Francesca Musiani provides us with a materialist perspective on internet
            governance. By employing a science and technology studies approach to examine the
            materiality of internet infrastructure, she argues that choices concerning the technical
            architecture of the internet have consequences for the &#8216;purpose that the system
            serves, the dynamics that are enacted within it, [and] the techno-legal procedures it
            entails&#8217;. She argues therefore that internet governance does not just emanate from
            official institutions, but is also embedded within the architecture and infrastructure
            of the internet. She illustrates this by examining the question of user privacy, and how
            centralised internet architectures make this problematic, while decentralised ones can
            embed it within the workings of the infrastructure.</p>
        <p>By covering a variety of subjects and theoretical frameworks, this special issue gives a
            flavour of materialist accounts of the internet, and of the alternative they offer to
            dualist approaches. In addition, while all the contributions share a concern with the
            material substrate of the internet, their different perspectives and theoretical
            frameworks also demonstrate the heterogeneity of these accounts. By bringing these
            different perspectives and frameworks together in one place, this special issue also
            aims to stimulate the reader to reflect upon their similarities and differences, and
            what this might tell us about the nature of materiality in a digital world.</p>
        <sec>
            <title>Competing Interests</title>
            <p>The author declares that they have no competing interests.</p>
        </sec>
    </body>
    <back>
        <sec>
            <title>Author Information</title>
            <p>Teaching Fellow in Media and Communications at the University of Sussex. His research
                interests include materialist approaches to digital media, and the use of
                interactive visual media to present academic research.</p>
        </sec>
        <fn-group>
            <fn id="n1">
                <p>See Hondros (<xref ref-type="bibr" rid="B1">2015</xref>) for details of this
                    research.</p>
            </fn>
        </fn-group>
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    </back>
</article>
