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<article article-type="article-commentary" dtd-version="1.0" xml:lang="en" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id journal-id-type="issn">1744-6716</journal-id>
<journal-title-group>
<journal-title>Westminster Papers in Communication and Culture</journal-title>
</journal-title-group>
<issn pub-type="epub">1744-6716</issn>
<publisher>
<publisher-name>University of Westminster Press</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.16997/wpcc.253</article-id>
<article-categories>
<subj-group>
<subject>Commentary</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>What is to Be Done? The Role of the New and the Old in Media Theory &#8211; The Moment for Critical Digital and Social Media Studies</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname>Fuchs</surname>
<given-names>Christian</given-names>
</name>
<email>C.Fuchs@westminster.ac.uk</email>
<xref ref-type="aff" rid="aff-1"/>
</contrib>
</contrib-group>
<aff id="aff-1">University of Westminster, GB</aff>
<pub-date publication-format="electronic" date-type="pub" iso-8601-date="2017-01-30">
<day>30</day>
<month>01</month>
<year>2017</year>
</pub-date>
<volume>12</volume>
<issue>1</issue>
<fpage>38</fpage>
<lpage>39</lpage>
<history>
<date date-type="received" iso-8601-date="2016-12-15">
<day>15</day>
<month>12</month>
<year>2016</year>
</date>
<date date-type="accepted" iso-8601-date="2016-12-15">
<day>15</day>
<month>12</month>
<year>2016</year>
</date>
</history>
<permissions>
<copyright-statement>Copyright: &#x00A9; 2017 The Author(s)</copyright-statement>
<copyright-year>2017</copyright-year>
<license license-type="open-access" xlink:href="http://creativecommons.org/licenses/by/4.0/">
<license-p>This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See <uri xlink:href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</uri>.</license-p>
</license>
</permissions>
<self-uri xlink:href="http://www.westminsterpapers.org/articles/10.16997/wpcc.253/"/>
<abstract>
<p>Debates exist around whether we live in a new Web 2.0 post-industrial era, or whether little has changed in capitalist society. This contribution queries the relationship between new and old, arguing Hegelian dialectics helps explain how change <italic>and</italic> continuity can operate at different levels (<xref ref-type="bibr" rid="B1">Bhaskar, 1993</xref>). New and old reappear as categories shaping a field in which Nordenstreng&#8217;s (<xref ref-type="bibr" rid="B4">2007</xref>) distinction between critical and administrative research remains relevant. What is needed is a critical digital and social media studies that draws upon real-life alternatives (such as free software and the digital commons) to neoliberal principles. As Stuart Hall noted (<xref ref-type="bibr" rid="B3">Jhally and Hall, 2012</xref>), Cultural Studies&#8217; move away from reductionist thinking ended by entirely forgetting the economy and capitalism that had not gone away. Hence, analysis in the UK needs to be informed by the political situation specifically Cameronism and Mayism (see <xref ref-type="bibr" rid="B2">Fuchs, 2016</xref>), with its co-opting of populist English nationalism and scapegoating tactics.</p>
<p>Underlying a plurality of crises are influential economic trends: lower wage income, precarious labour, financialisation and the digitalisation of work. These developments &#8211; new and old, local and global, in BRICs countries and the West &#8211; pose difficult questions for progressive politics and for our field.</p>
</abstract>
<kwd-group>
<kwd>Neoliberalism</kwd>
<kwd>Marxism</kwd>
<kwd>Web 2.0</kwd>
<kwd>dialectical philosophy</kwd>
<kwd>critical theory</kwd>
<kwd>Cameronism</kwd>
<kwd>capitalism</kwd>
</kwd-group>
</article-meta>
</front>
<body>
    <fig><caption>
        <p><bold>Download the audio file here: </bold><ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://doi.org/10.16997/wpcc.253.s1">https://doi.org/10.16997/wpcc.253.s1</ext-link>
        </p></caption>
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<back>
<sec>
<title>Competing Interests</title>
<p>The author has no competing interests to declare.</p>
</sec>
<sec>
<title>Author Information</title>
<p>Professor Christian Fuchs (<ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="http://fuchs.uti.at">http://fuchs.uti.at</ext-link>) is the Director of the Westminster Institute for Advanced Studies and the Communication and Media Research Institute. He is editor of the journal tripleC: Communication, Capitalism &amp; Critique and a member of the European Sociological Association&#8217;s Executive Committee and the author of numerous books including Critical Theory of Communication: New Readings of Luk&#225;cs, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet (2016), Reading Marx in the Digital Age: A Media and Communication Studies Perspective on Capital Volume 1 (2015) and Social Media: An Introduction. (2017, forthcoming 2nd edn.). He is the series editor of a new University of Westminster Press book series called &#8216;Critical Digital and Social Media Studies&#8217;.</p>
</sec>
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<year iso-8601-date="2012">2012</year>
<comment>Retrieved from: <uri>https://vimeo.com/53879491</uri></comment>
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<element-citation publication-type="journal">
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</back>
</article>
